Computer Graphics World Back To The Future
Artists at Pixar Animation Studio embrace new tools and techniques to create Incredibles 2.
Mahyar Abouosaeedi (interviewee)
Brad Bird (interviewee)
Ralph Eggleston (interviewee)
Nathan Fariss (interviewee)
Bryn Imagire (interviewee)
Fran Kalal (interviewee)
Philip Metschan (interviewee)
John Walker (interviewee)
Brad Bird (interviewee)
Ralph Eggleston (interviewee)
Nathan Fariss (interviewee)
Bryn Imagire (interviewee)
Fran Kalal (interviewee)
Philip Metschan (interviewee)
John Walker (interviewee)
Tomorrow Society podcast Producer John Walker
on Disney’s Tomorrowland, The Incredibles, and The Iron Giant
John Walker (interviewee)
Starburst Magazine Man's best Friend
STARBURST looks at the story behind Disney Pixars long-delayed THE GOOD DINOSAUR and wonders if it the magic can continue...
Enrico Casarosa (subject)
John Lasseter (subject)
Bob Peterson (subject)
Peter Sohn (subject)
John Walker (subject)
John Lasseter (subject)
Bob Peterson (subject)
Peter Sohn (subject)
John Walker (subject)