Ken Anderson: We had finished Song of the South, which we called Uncle Remus, and we flew down to Atlanta for the premiere. I’d never been many places socially before. I knew that Walt had a presence and that whenever he appeared in the Studio you were always damned well aware that he was in the room, even if your back was turned. Maybe it was some reaction that the people had who would face him and maybe it wasn’t. Just the same, he seemed to have a magnetic field around him that extended far beyond his physical body.
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