A year ago those who delight in spoofing Hollywood about its adult strivings gayly remarked that the out-standing figures in the liveliest of the arts were a child, a ventriloquist's dummy and some pixies created by Walt Disney. The barbs of these irreverent ones probably will be sharpened anew when the latest Disney imagining, now at last completed, has been released. For, this time, Disney has merged a child and a dummy with his own art, retaining the better features of each, and produced "Pinocchio," the story of the of the marionette that became a boy.
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